When my little brother discovered, by chance, the first Rune Factory in the bargain bin for only 20 CAN, I knew I had to pick it up at such a cheap price. Rune Factory is my 50th DS game! So I finally reached my goal of owning 50 DS games! Now I'm on to 100, or not. hehehe. We shall see.
Sorry about the picture quality. You probably won't be able to make out some of the games. But if your interested in my collection, I have an account on Backloggery.com under the same username, soaring_wings. My whole collection is listed on there ( not just DS games). You can also see how pathetic my beat statistics is ^^;;;;
edit: I currently own 53 DS games. The three not pictured are Dragon Ball Origins, Wario: Master of Disguise, and Magician's Quest: Mysterious Times.
~Joanna
When at Best Buy soon after the launch of the DSi, I was approached by a Nintendo employee who showed me and my brother the new DSi features. They weren't that bad, and the picture function looked like it could be a bit of fun. However, the two colors (black and blue) really are not my colors, so I'll probably hold out on buying one. The lady gave both me and my brother a keychain (pictured) that has the the functions of the new DSi. It's always nice getting free things :D
Oh yes, before I forget, I'm interested in very pale, pastel colors (preferably lavender, but I'll take pink, green, and blue as well) ^____________^ To give an example, I want my colors to be as pale as the current Coral Pink DS Lite.
So I picked up volume 25 sometime in February, but I've only gotten around to finishing it now. The main story ends in this volume, with the other two volumes consisting of side stories about all the characters after the conclusion. This volume has two side stories after the finale, but instead of finding out what happens after the conclusion, we get a look into the past of two characters.
Summary
As Sarasa pleads with Shuri to get up, he sees his mother standing on the ledge across from the window. Shuri yells that she need not die, but his mother only turns to look and jumps off the ledge. Shuri is grief stricken, but Sarasa tells him that she must have loved him, his existence is proof of that.Meanwhile, Ageha is still in the basement with the Yarogumi, and just as an arrow is about to pierce him, Kagero, his owl, flies in front and takes the arrow in his place. The two share one last moment and Ageha continues his fight with the leader of the Yarogumi. Ageha manages to win, but the leader tells him he is not the most skilled of the Yarogumi, just as Hisoka jumps in and cuts Ageha. Against Hisoka, Ageha seems to be losing, but just as Hisoka is about to cut him one more time, Ageha stops his blade with his hand and pierces him with his own. Then he crawls over to the mechanism and attempts to slow it down, so that Tatara will have enough time to escape.Everyone is still escaping, but Asagi is standing in the palace as it is falling apart. However, flying on a kite, Hijiri and Nachi come to rescue him and give him a new reason to live. He and Muratake decide to go with them. Meanwhile Sarasa is having a hard time trying to find the exit. Just then she sees Ageha and he leads her out, when she turns around though, he is gone. The scene shifts to Ageha, he now closes his eyes slowly and lets go of the mechanism, thus bringing the whole palace down along with Ginko and Hiragi. Sarasa asks where Ageha is, but when everyone tells her he never came, she realizes that he must be buried under the rubble and begins digging through it; hoping against all odds that he really isn't dead. Meanwhile Princess Senju sees Ageha with her baby and he tells her to go to Kyoto.
Kakuji informs Sarasa that the people of Byakko village are awaiting Tatara to take revenge and kill the Red King Shuri. Sarasa is grief stricken but she takes up the sword as the crowd cheers, yet she has a vacant look in her eyes and is unable to move. As they stand there transfixed, Senju shows up with her baby and asks Sarasa not to kill Shuri since she (Sarasa) was the one who taught her that hate brings nothing. Then Sarasa, with tears in her eyes rushes at Shuri, drops her blade and they embrace. She cries out that she is not Tatara, that she lied and she is really Sarasa, and begs that they let her be Sarasa once more. Everyone is stunned (expect for her close friends who already knew she was a girl), and Kakuji cries asking her whether she intends to die with the Red King. She just looks at Shuri and the two embrace once more as dozens of arrows fire at them.
The scene shifts to a group of children, they ask Nagi whether Tatara and the Red King really died. Nagi says yes and the children get angry at Kakuji and run off. Kakuji, a little irratated, asks whether Nagi intends to make of him the monster in the historical accounts of Tatara's journey. Nagi looks out and says the plants Sarasa planted have grown, and Kakuji asks how far did he see this result. Nagi just response with another question, asking Kakuji when did he devise his own plan.The scene shifts back to Shuri and Sarasa. Arrows litter the ground around them, but no one is able to shoot directly at them. The others (those not from Byakko) begin to move toward the two, acknowledging that the journey they took was not with Tatara, but with Sarasa. The Byakko villagers give up and acknowledge that they cannot kill the one who means so much to them. Mako's mom (the boy who was first killed in Tatara's place) tells Sarasa that they always knew it was her, but refused to admit it. Nagi, for the first time since Sarasa cut her braids off, calls her Sarasa and tells Shuri he expects great things from him. He tells the two that they are free to go see the world as Shuri and Sarasa. He then turns to Kakuji would agrees and says the Red King and Tatara are dead.The scene shifts back to Kakuji and Nagi in the present day and he tells Kakuji that it worked out nicely. Then we see Muratake and Asagi wondering in the wilderness. Asagi wonders whether the White Lady was really his mother and asks Muratake if he wants to go to Kumano. When Muratake shows a lot of enthusiasm, Asagi tells him he has changed his mind (oh Asagi you meanie!). We are then showed snippets of the lives of the others, before returning once more to Nagi as he remembers little Sarasa asking if they can make the land greener. As he looks out on a lush new land, he wishes Sarasa happiness. The next page reads "Fin."We are then treated to two side stories, the first, White Story: Fig, tells us the whole life story of Ginko with a much needed resolution to her story. While the second story takes place in Ageha's past. Both story's are rather somber (a drastic contrast to the very beautiful and happy ending of the main story) and both deal with sexual abuse and rape (rather depressing themes). In Ginko's story, we learn that when she was brought back from Awaji Island she was raped by her drunken father and become pregnant. Hating the child, she asked Hiragi to get rid of it when a boy was born, but later she began asking for her baby boy, so Hiragi brought her another child he had found (this he later regretted doing). She named the child Asagi and told him that he was her brother the true Blue King. After the palace falls on Ginko, we are shown the bloody resolution to her tale. Her father, who escaped with Tachibana, is found by local farmers and both of them are murdered.
In Ageha's story we learn how he coped with being sexually abused and raped as a child slave, where he first heard the prophecy that he would die for the woman he loved, and how he rediscovered his roots as a blue noble of the desert. Overall, a very interesting story and it gives Ageha's character yet another level of complexity. It's basically covers what took place with Ageha right before he saved Sarasa and got his eye cut as payment.
My Thoughts
I loved the finale, it was very heart warming without being overally cheesy. I was worried how Tamura-san would end such a beautiful series off, but I worried in vain because Tamura-san did an exceptional job and one that was much better then I was hoping for. I wasn't expecting Ageha to die until the these last few volumes (where he made his intentions clear). So I raise my glass to Tamura-san once more because usually manga does not catch me off guard as much as Basara has. The story was really well written and much thought was given to it. But even though the main story is finished, I still excited about the last two volumes! I cannot wait to see what happens to the rest of the cast after this volume's conclusion :DThe two side stories were really good and added a lot to the rest of the manga. For one, Ginko's actions don't seem so drastic after we learn her whole story. I have to commend Tamura-san once more because the rape scene was well depicted; it wasn't too graphic and was more of a psychological depiction of Ginko's mind at the moment (she was a doll and her father a beast). The subsequent psychological state of Ginko was also well done, it was very believable. Ageha's story was also a believable depiction of his emotional and mental state. I found his reactions both to making love to Aello and meeting Shido very believable.Overall, Basara continues to remain my all time favourite manga since I picked it up a few years ago. I cannot wait to read the last to volumes of this beautiful epic.~Joanna
I love Fire Emblem, so naturally I pre-ordered the DS remake of the very first game. EB Games gave out this decent Laser Cell with a pre-order of the game. The game came out in February, but I've just been taking my time with posting my spoils =PThe game itself is fun, but it's missing a few staples of the franchise; like unit bonding. But it also has a few nice addition as well, like the harm button (which is X) that shows you the range of all enemy units (helpful when your trying to protect your frail units)Also, is it just me, or is this Fire Emblem more RNG harsh than other FE games. I mean 80% of the time, my units get only 0-2 bonuses when they level up. Usually I get at least 3-4 and only on rare occasions do I only get 0-2 from any unit (and I use them all, so this includes the 'crappy' units as well), but with this game the problem seems to be even more apparent. Right now I'm playing on Normal Mode (which is the easiest mode) so the problem isn't too bad (since enemies are low leveled and in smaller numbers), but it will become a problem when I play on the harder difficulties.
Oh and the prologue (which you have to play on normal to see) was alright, but the last chapter was annoying (why do I need to sacrifice a unit!? this does not bode well for OCD players like me. I did sacrifice Jagen, but I was NOT happy about it, not one bit...grr.)~Joanna
I picked up Basara 24 with 23, so I didn't have to wait long to read this. I also already have 25, so the impression will be done after I finish this one :)
Summary
Just as the last volume left off, Sarasa is making her way to Kyoto to see Asagi, and Shuri is determined to follow after her, so Nakijin agrees to go with him. Ageha, who also notices her, decides he need to discover what Hiragawa was plotting at the base of the palace.When Sarasa storms the palace, Ran and Umi of the four virtues confront her. However, Kikune shows up and helps Sarasa out, she tells her that this is her fight, so Sarasa leaves her. Ichimatsu also shows up, but Kikune also tells him this is her fight. He tells her he will wait for her to finish.Sarasa makes it to Asagi and asks him to come home with her. But it appears that Asagi isn't willing to do so, just then Shuri comes to the door and asks Sarasa to open it. Sarasa decides she must charge at Asagi if she cannot change his decision just as Nakijin breaks the door open and Shuri storms in. However instead of piercing her with his sword, Asagi embraces Sarasa. But the embrace doesn't last long because Shuri tears Sarasa away from Asagi. While Asagi is insulting Shuri, Hiiragi comes into the room, he survived the fall, but is now missing an arm like Shuri. Asagi makes his intentions clear, he will kill Hiiragi, he also became the King so that the people would despise the monarchy and never wish to return to this form of rule.
Sarasa is ashamed of her lack of trust, so she decides to trust him now and leaves Hiiragi to Asagi, while she and Shuri go see Ukon the king, or Shuri's dad. King Ukon is a desecrate old man, who steps down after trying to shoot Sarasa with his bow. Sarasa, however, does not want him to step down, because then the burden of the monarchy falls on Shuri, and she knows that the price he will have to pay is one of blood. But when she tries to urge the King to face his people, Shuri stops her and lets his father go with Tachibana.Meanwhile, Asagi has killed Hiragii and he now confronts Ginko. Ginko tells him that he isn't really from the royal family and that she found him and took him in like the four virtues. She muses that his name Asagi means a cheap blue color used in prisoner's clothing, a name that fits him well, and that he was a fool to believe her when she said he was the real blue king. Asagi enraged lowers his sword on her, but stops before he can hurt her. Saying that he's had enough, he leaves. Ginko calls back to him and tells him to kill her, but when he doesn't come back, she sets the contraption that Hiragawa discovered in motion.Ageha, who is underground, finds the contraption just as Ginko sets it in motion. Realizing that the whole building will collapse, he sends Kagero to Sarasa to warn her of the danger as he looks for a way to stop the contraption itself. However, the Yarogumi show up and Ageha has to fend off the attacks of their commander as well as arrows.
Meanwhile Kikune has managed to keep herself alive, but just as she is about to overpower Ran, Umi prepares to strike back, but Ichimatsu stabs him before he can do anything. Kikune is a little annoyed, but also happy that Ichimatsu helped her. Kagero then delivers to them Ageha's letter, and they realize they must flee.Finally, Kagero brings Sarasa the letter, and she and Shuri begin to leave, but Sarasa notices that Shuri is very weak and isn't moving as fast as he can. Shuri then tells Sarasa to leave him and go ahead. When she asks what about him, he tells her that he will be right behind, but just as he says that, Sarasa remembers Nagi's words and realizes that he won't be able to follow her. This volumes closes with a shunned Sarasa, realizing Shuri is going to die if he doesn't start moving again.
My Thoughts
This volume feels a bit rushed, but it's still really well done. I can tell Tamura-san is trying her best to close up loose ends before the finale next volume. In particular, I wish Kikune's struggle was a bit more fleshed out, as well as Asagi's fight. But I guess I'm not too upset about the fight because fight scenes are not what Basara is about XD And Asagi's large single panel fight scene was very poetic and pretty, so I'm pretty satisfied. =D Other then that, it's another satisfying volume. Please look forward for my impression of 25 some time in March =D
There are a lot of extras this volume, including a few pages of Tamura-san's thoughts and illustrations, a single page strip featuring Shuri and Shido before he had died (hence taking place sometime in volume 3-4ish; chronologically) And two comedic one shots about Basara: the first titled "Basara Academy" is what basara would look like if it was a romantic comedy. I actually found it really funny, especially seeing the alter egos of the main cast. XD The second is titled "If they Played Games" and it's basically about dead Taro going around and observing what kind of games the cast of basara likes to play. Overall, they were a nice diversion from the main story's more somber tone. ~Joanna
